« Posts tagged Television

This Day in (Harmonic) History, Feb 10th

Try this out once.

Go to Wikipedia.org (or any other reference search engine) and type in a date.  Any date.  It could be your birthday.  It could be your anniversary.  Hell, it even could be the day you got your favorite pet Ringo the one-eyed ferret back from the vet with a clean bill of health.  It doesn’t matter, just as long as you leave the year off.  Just type it in and hit enter.  It is amazing what all special events may have happened on any one particular day.

What does this have to do with today’s musical meanderings?   Well, it just so happens that I did that very thing for today’s date, February 10th, within Wikipedia and I found some very important facts.

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Guest Post: Farscape Rant

Season 2 cast, from left to right: Bialar Crai...

Image via Wikipedia

Guest post by Jim R.

So, I was recently shocked and distraught by my fellow SciFi nerd’s lack of appreciation for the TV Series Farscape, and sometimes even undue hatred.

In 1999 when much of our science fiction had been completely overtaken by Computer Generated special effects and characters, the creators of Farscape had the vision to return to what made the genre blossom from the mid 70′s to the early 90′s. Namely makeup and animatronic puppets. Now I know what you think, “Puppets really?” Yes puppets and models, are what birthed loved movies such as Star Wars, and Aliens and ground breaking series like Star Trek and the original BattleStar Galactica. In 1997 George Lucas butchered his own spectacular creation “The Star Wars Trilogy” with as much CGI as he could stuff into an hour and a half.

Puppets allow an easier suspension of disbelieve because they automatically obey light and shadow. CGI characters obey programming and can never match puppets for believability. When all of your actors are shadowed and your creature is glowing like a frelling halogen you know this shit ain’t real! But when all shadows and light match up and move naturally you can stay immersed in the story.

Puppets too give the actors the ability to really deepen their character. Tell me what is easier: to react with the proper emotion to, a damn green screen or a gooey rubber monster sitting 2 feet from you? I think the question answers itself.

Going back to basics and having Jim Henson’s workshop responsible for things like set and creature design, and puppeteering gave this series a unmatched believability. CGI was only used for accent and views of space. The talented writers seemed to know what makes a great “space opera.” (Editor’s Note: I affectionately refer to it as “Muppets on Crack in Space” – Pat)

With Farscape we have just your average super smart astronaut test piloting his new experimental space craft (ironically called Farscape-1). Woops! He gets sucked into a wormhole and gets crapped out somewhere in the universe. May not be this quadrant of the Milky Way. May not even be the Milky Way. It may not even be a galaxy visible from earth. The one thing we find out right way is it is inhabited by races with technology and cultures FAR FAR beyond humanity. The magic of this “fish out of water” story comes from watching the ONLY human for 100 Trillion light years attempt to navigate the pitfalls of not knowing ANYTHING about ANYTHING or ANYBODY. It illustrates human physical and mental adaptability, the alien races he encounters do not seem to have. Emotions (like compassion for all life) that we have but sometimes don’t admit, are displayed in the main character so well that we cant help but idealize his virtues.

Imagine if you will, you are the accidental ambassador to humanity for the entire ape kingdom. At your first few summits you do all that you can to convince them you are an intelligent, articulate, emotional being but still get treated like a stupid monkey or at best a resourceful child. Oh and did I mention when you first showed up you accidentally killed a human, who’s brother who vows revenge and controls an entire battalion of marines. And you don’t know if you will EVER be able to go home……..

Now tell me, compared to this is life or job REALLY that bad?

Farscape ran for 4 seasons and was ended by a 3 hour mini series called The Peacekeeper Wars.

2010: The Year We Make Trouble

Woot!  It’s our month-aversery, and I think we’re doing pretty well for ourselves. We have regular readers, a small but growing Twitter and Facebook following, and thirty some-odd posts, so we are averaging on a day. When you consider we normally don’t post on the weekends and had 2 weeks in holidays, I’d say that’s a good job.

This beg’s the question: What’s next?

Well, here is the plan:

Columns

Mondays: Benjamin Kenneally’s Broadcast Domain – a techie’s take on storytelling.

Tuesdays: Pat’s Rants – There is always something pissing him off, and he’s going to tell you why.

Wednesdays: Tony Smith’s Harmonic Vicissitude – Band nerds get revenge with Tony in charge of our music column.

Daily Themes

Mondays: Tech – Good tech, crap tech, useful tech, story tech.

Tuesdays: Film and TV – bkI is taking on Hollywood, baby!!!

Wednesdays: Music – Get your soundtrack on.

Thursday: Wildcard – We’ll burn that bridge when we come to it.

Fridays: Fiction – Original fiction and where to find the best free fiction on the net.

Coming Soon…

More Original Fiction – More fiction from our group of irregulars and some folks you haven’t heard from, yet.

More Reviews – Movies, music, books, you name it, we’ll review it.

Serials – Continuing stories, some written specially for bkI, not to mention the fact that we are unleashing Texas Noir on the world with the serialization of The Brotherhood of the Hand by Pat Humphreys and Chris Helton.

2010 is going to be a good year, boy’s and girls. Be sure to stick around.

The only journey is the one within. – Rainer Maria Rilke

People often say that the journey is more important than the destination, and I generally agree. I’m not one to flip to the back of the book to see how it all turns out, or pay no attention to the drive out of a simple desire to ‘be where I’m going, already!’

However, how much of the journey of a story lies in taking the time to get to know the story as it progresses? What if we could simply KNOW the story, immediately, without having sat and read the book over a dozen sunny afternoons? How much would that change our experience of the story itself?

Our experience of the story itself has changed miraculously over the past century. The ready availability of books and the education of the world’s young to a common point of literacy changed stories from an oral pursuit shared by large groups, to one of the solitary reader and their book. We then switched back with the advent of radio drama, with families sitting around the radio to find what happened to The Shadow or Fibber McGee and Molly. From there, we moved to the silver screen, and then the small screen, and have wavered between the two ever since.

How much does how we are told the story matter in the long run? I don’t mean in the sense that things are often removed from the story to transpose it to another medium. This is often done for movie adaptations, and is the reason many prefer the book, even if they saw the movie first. Movies (and to a much lesser extent, radio) shape concepts of the story for us in our minds, rather than allowing us the freedom to imagine it ourselves. Does this truly detract from the story itself?

Alan Moore certainly feels that the changes made to his work to move it to another medium is a horrid thing. Although I’ve enjoyed most of the adaptations of his work for what they are, I feel they never quite live up to the original source. Something about the layout of a comic book, and the way your eye tracks across the images and dialog, simply cannot be recaptured, no matter what medium it is moved to.

So, what will this mean when new mediums are made available for the telling of stories? We already know from the reaction of traditional media outlets that they become incredibly afraid whenever a new medium for telling stories becomes available. Publishers are still claiming they will be ruined by Ebooks, despite the fact that people with Ebook readers buy almost ten times as many books as those without. More importantly, what will this mean for those of us who consume the stories? How will changing the journey affect the audience?

Science has slowly come to know more and more about the functioning of the human brain as time passes. At some point in the future, I can only imagine that nanomachines of some type will be able to change things in our brain so that we simply know things. Direct manipulation of human physiology will alow stories to be downloaded directly into your consciousness. No interaction with the medium will be required. At that point in time, the journey of consuming the story will itself be gone. Only the story will remain.

Will that be a good thing, or a bad one, in the overall telling of our tales?

I’d love to find out.

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