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Quick Review: Brick

I’m gonna say this right off the bat: Unless you really like arty, indie films or are a scholar of old pulp noir, you will NOT like Brick.

Brick is an exercise in genre and genre bending. The story is pure pulp crime, complete with lingo so dense that, even when they stopped to define a few things, it was still confusing. The plot itself is simple, a girl ask’s a guy for help then disappears and his personal sense of honor won’t let him walk away. There is drugs, violence, gangs, snitches, all the shit that fills your hard boiled detective story.

Catch is, it’s set partially in a high school with teenagers, giving the whole film this weird Romeo and Juliet (the diCaprio one) vibe that makes it hard for even me to follow.

That being said, it’s acted and directed really well, and had all the makings for a great cult film and an excellent example of pulp crime/noir storytelling.

Provided it had subtitles.

Quick Review: Iron Man 2

I’m not sure why people are having problems with Iron Man 2.  The only thing I can think of is that they wanted more action and less character, but that’s what I liked about it. I mean, take someone with the GIANT ego of Tony Stark and give him super powers and it’s naturally going to go to his head.

In fact, I’m willing to name the ego as the antagonist of the film. The whole story is Tony interacting with his friends, the people that really know him, and the challenge of being the friend of an insufferable prick. Iron Man 2 is really a character study.

Unfortunately the movie going public isn’t much for “character” and would probably only have been happy if it was two hours of fight scenes.  It’s sad really that comics, traditionally frowned upon as “low” art, are too smart for the American consumer.

Quickie: DARK RISING: Great feeling!

Dark Rising

Dark Rising

Submitted by Jim R.
I think this was a testament to scifi-action-comedic -fantasy-romantic-(softcore) :D ….That we haven’t seen since the 80′s movies like Legend, Masters of the Universe, TROLL!, and even Evil Dead/II. Its not a remake or retelling, its a new story using well mixed 30+ year old story elements. Monsters and princesses with cowering princes, strength, magic and what I guess you could call fighting. Powerful female roles and with well acted male co-stars. Some excellent current era issues were also thrown in. The T&A was A-OK, the girls will relate with one of the female leads, I would recommend this to any well parented PG-13 audience though the man would probably give it NC-17 because of the amount of AWESOME BOOOBAGE!.

Better than Twilight, Part 6: Double Feature!!!

The Lost Boys
Image via Wikipedia

My girlfriend, the incomparable and sadistic Joanna, pointed out to me the other day how much of a hypocrite I am by refusing to watch the Twilight movie. Therefore Saturday I watched it and have come to this conclusion: Just about anything is better than Twilight. I mean I’ve seen Uwe Boll movies that were better.

That being said, today we’re doing a double feature of vastly underrated B-Grade vampire movies from 1987.  First up? Near Dark.

Near Dark tells the story of Caleb (Heroes‘s Adrian Pasdar), a farm boy that falls for a lovely young woman who happens to be part of a group of nomadic vampires lead by Jesse (played to the hilt by Lance Henrikson). Caleb soon finds himself in over his head this these brutal gypsy/biker/vampires.

The story is pretty straight forward: Forced into this vampiric family, Caleb has to deal with the wanton destruction and death that Jesse and crew leave in their wake.  Eventually, with the help of his father, Caleb is cured and goes after the family to save the woman he loves.

Near Dark is truly an underrated movie. Excellent practical and make-up effects (Bill Paxton with his face torn up was so realistic that he played a prank at bar during the filming) totally cancels out the lack of budget. Unfortunately, when it came out, it was overshadowed by another vampire movie that hit theaters that year: Lost Boys.

Now, I’m sure everyone reading this has seen this movie, so I’m just going to cover the important bits. The plot of Lost Boys mirrors that of Near Dark, at least superficially. It’s a classic “boy meets girl, girl is part of a family of vampires, hilarity ensues” story, but one thing sets this one apart from so many other shitty movies: it knows it’s B-Grade. Bad jokes by The Corey’s totally lighten the mood are are supplied regularly any time it needs to be lightened. I mean, come on, who can’t love the “Bloodsucking Brady Bunch” joke?

So,why are these better than Twilight? More realistic vampire families. Unlike the Mormon analog of the Cullen’s in Twilight, both of these movies show the monstrous relationship that would occur within a group of vampires. Don’t forget, these are animals, and both vamp-fams in these movies act more like a pack of wolves rather than the propagandist perfection of Twilight.

Next time: Here there be Werewolves!

The only journey is the one within. – Rainer Maria Rilke

People often say that the journey is more important than the destination, and I generally agree. I’m not one to flip to the back of the book to see how it all turns out, or pay no attention to the drive out of a simple desire to ‘be where I’m going, already!’

However, how much of the journey of a story lies in taking the time to get to know the story as it progresses? What if we could simply KNOW the story, immediately, without having sat and read the book over a dozen sunny afternoons? How much would that change our experience of the story itself?

Our experience of the story itself has changed miraculously over the past century. The ready availability of books and the education of the world’s young to a common point of literacy changed stories from an oral pursuit shared by large groups, to one of the solitary reader and their book. We then switched back with the advent of radio drama, with families sitting around the radio to find what happened to The Shadow or Fibber McGee and Molly. From there, we moved to the silver screen, and then the small screen, and have wavered between the two ever since.

How much does how we are told the story matter in the long run? I don’t mean in the sense that things are often removed from the story to transpose it to another medium. This is often done for movie adaptations, and is the reason many prefer the book, even if they saw the movie first. Movies (and to a much lesser extent, radio) shape concepts of the story for us in our minds, rather than allowing us the freedom to imagine it ourselves. Does this truly detract from the story itself?

Alan Moore certainly feels that the changes made to his work to move it to another medium is a horrid thing. Although I’ve enjoyed most of the adaptations of his work for what they are, I feel they never quite live up to the original source. Something about the layout of a comic book, and the way your eye tracks across the images and dialog, simply cannot be recaptured, no matter what medium it is moved to.

So, what will this mean when new mediums are made available for the telling of stories? We already know from the reaction of traditional media outlets that they become incredibly afraid whenever a new medium for telling stories becomes available. Publishers are still claiming they will be ruined by Ebooks, despite the fact that people with Ebook readers buy almost ten times as many books as those without. More importantly, what will this mean for those of us who consume the stories? How will changing the journey affect the audience?

Science has slowly come to know more and more about the functioning of the human brain as time passes. At some point in the future, I can only imagine that nanomachines of some type will be able to change things in our brain so that we simply know things. Direct manipulation of human physiology will alow stories to be downloaded directly into your consciousness. No interaction with the medium will be required. At that point in time, the journey of consuming the story will itself be gone. Only the story will remain.

Will that be a good thing, or a bad one, in the overall telling of our tales?

I’d love to find out.

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